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Soul News |
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Motown's first
Funk Brother dies at age 79 |
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(Feb. 2007) February 2nd was a
sad day for Motown fans as three-time Grammy winner Joe Hunter
of the Funk Brothers was found dead in his Detroit apartment. He
was 79.
While the cause of death was unknown at press time, he was
diabetic, and his son said it appeared he was trying to take
some medicine when he died. Hunter, whose jovial personality and
snappy dress sense delighted his fans, had just returned on
Sunday from a European tour with fellow Funk Brother Jack
Ashford.
Born in Jackson, Tenn., Hunter moved to Detroit just before his
12th birthday, although he never lost his
Southern accent or
charm.
He was a raw, rootsy piano |
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player who started out in the 1950s
backing up acts such as Jackie Wilson and Hank Ballard and the
Midnighters, but he could play jazz or Professor Longhair and Fats
Domino-style New Orleans piano as well. |
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Hunter was Berry Gordy Jr.'s first hire, to back up acts such as Smokey
Robinson and the Miracles on piano in the late '50s, as Gordy mustered a
staff for what would become Motown Records. Hunter also served as
Motown's first bandleader in those very early days.
His soulful, bluesy piano is the first thing you hear on the Marvin Gaye
song "Pride and Joy."
That piano work was an integral part of such songs as Martha and the
Vandellas' "Heat Wave" and "Come and Get These Memories," but after
Motown left Detroit in 1972, like many musicians, Hunter took what gigs
he could.
"He was like a father to me and a buddy," said A.J. Sparks, who became
alarmed when he hadn't heard from Hunter since his return from Europe.
Sparks called Hunter's son, Joe Hunter Jr., who went in with Detroit
police and found his father. "Please tell people that we need their
prayers," Hunter Jr. said.
"He will be welcomed in heaven," said fellow Funk Brother Bob Babbitt.
"I just called his name today," a stunned Martha Reeves said today. "Joe
was one of a kind," said Bert Dearing, owner of Bert's in the
Marketplace and Bert's on Broadway. Hunter not only played his clubs,
but Bert's in the Marketplace was a favorite hangout.
"If I couldn't find any other musicians, he was always willing to come
and do a one-man show. He'd play blues, jazz he worked all my clubs."
Dearing said there will be a gathering of musicians, fans and friends
for Hunter at Bert's in the Marketplace after funeral arrangements are
set.
Bruce Resnikoff, president of Universal Music Enterprises, the parent
label of Motown, issued a statement: "Joe Hunter's piano and stellar
leadership helped birth the 'Motown Sound.' You can't miss Joe's piano
on those great early hits. The first of the Funk Brothers, his terrific
riffs and easy-going musicianship will live forever."
The glamour of Motown wore off quickly for Hunter after the '60s. When
Philadelphia musician/historian Allan Slutsky set out to find all the
Funk Brothers in the 1980s, he found Hunter playing for tips at the Troy
Marriott. Hotel guests had no idea who he was.
"Joe was kind of a throwback character, an English country gentleman in
an R&B blues body," said Slutsky, whose book and film "Standing in the
Shadows of Motown" chronicled the Funk Brothers' saga.
"He would come off with that backwoods thing, talking about corn likker
and stuff, but then he would quote Shakespeare," Slutsky added.
After the documentary film "Standing in the Shadows of Motown" was
released in 2002, the Funk Brothers' soundtrack album won two Grammys in
2003. In 2004, Hunter and the Funks were awarded with a Lifetime
Achievement Award at the Grammys, and the group toured for several
years.
Hunter's life wasn't all about rhythm and blues and Motown. He was a
longtime supporter of the late Mother Waddles. His son confirmed that up
to the end of his life, Hunter was on-call to go anywhere to play for
the Mother Waddles mission.
While the Funk Brothers had splintered into several different groups in
recent years, Hunter and his colleagues, who played in Motown's Studio A
at 2648 W. Grand Blvd. in Detroit, would never again be nameless
players, the musical engine behind all the hits.
"It makes me really happy that I got to see Joe get his place in the sun
and get a little bit of his dream," said Slutsky. "In the beginning of
the movie, he said when the dust settled (from Motown), it was all over
for him. That proved to be wrong. He got his dream in the last part of
his life."
In addition to his son, Hunter is survived by a daughter, Michelle, and
three grandchildren.
R.I.P.
Joseph E. Hunter a.k.a. "Papa" Joe Hunter
Born. November 19, 1927 - Jackson, Tennesee, U.S.A.
Died. February 2, 2007 - Detroit, Michigan, U.S.A.
(complications from diabetes) |
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Billy Henderson of
the group The Spinners dead at 67 |
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(Feb. 2007) Singer Billy Henderson, a
member of the band the Spinners who sang "I'll Be Around" and other
hits, has died. He was 67.
Henderson died Friday, February 2 of
complications from diabetes, his wife, Barbara, said. The 1972 song
"I'll Be Around" was part of a string of Top 20 Spinners hits that
included "Could It Be I'm Falling in Love," "Then Came You" and "The
Rubberband Man."
The five-member band of high school
friends formed in 1954 in a Detroit suburb. They went on to be nominated
for six Grammy Awards and became the second black musical group to get a
star on the Hollywood Walk of Fame. |
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Four of the original band members, including
Henderson, continued to perform together until recently. He was dismissed from
the group in 2004 after suing the group's corporation and business manager to
obtain financial records.
Henderson was in overall poor health the last couple of month and most recently
had both legs removed, due to diabetes and high blood pressure.
Volusia Memorial Funeral Home, Ormond Beach, is in charge of funeral
arrangements.
R.I.P.
Billy Henderson
Born. August 9, 1939 - Detroit, U.S.A.
Died. February 2, 2007 -
(Daytona Beach health-care facility) Holly Hill,
Florida, U.S.A.
(complications from diabetes) |
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Michael Burnett of
the group Cameo and Ca$hflow dies at age 50 |
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(Jan. 2007) Michael Burnett the Bass
player for Jeff Floyd passed away
January 4, 2007 after suffering a massive heart attack.
His music career began by playing the
drums at the age of nine. He later found out that the drums was not
challenging enough so when he enter the 5th grade he started playing the
trombone and by the 6th grade he was playing trumpet.
During the 8th grade while still playing trumpet, he became interested
with the bass guitar. His desire to play the bass grew stronger as he
listened to Verdine White of
Earth, Wind & Fire
and Larry Graham of Graham
Central Station.
He picked
up the bass guitar and he knew that he had found his niche. He would
sneak down to the VFW and watch local musician Walter Jackson
play the bass guitar. Walter showed him how to
play the bass and sing at the |
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same time.
This was the challenge that he had been craving. Mike alone with seven other
guys formed a band and started playing in school's talent shows. By the 10th
grade, his last three periods was spent in the school's band room. Realizing
Mike's talent, Band Director Samuel Stokes asked him to perform a few half
time shows with the Southwest High School Marching Band.
In 1971 he formed the group "The Black Exotics",
which the group later change their name to "The Exotics",
and began performing in local night clubs around Macon (The Red Rooster,
High Hat, Adams Lounge and JD’s Touch of Class). After years of playing the
group finally got a break when they landed a gig with Stax Records
as the band for recording artists Sam & Dave.
From there the list began to grow, William Bell,
Clarence Carter, Denise LaSalle
and Bill Coday.
One night while performing in Louisianan, Mike was approach by
Atlanta Artist, Inc. recording artist
Larry Blackmon of
Cameo. He told Mike that he was looking for a bass player and wanted him
to come to Atlanta, Ga. to audition for the part. Larry said that he liked
his style and felt that it would be perfect for the group. About six months
later he arrived at the audition alone with about forty other bass players
and was so impressive that they hire him on the spot. He recorded his 1st
album with
Cameo title "Alligator Woman". With his funky bass pattern on the title
cut "Alligator Woman" and "Be Yourself", the album went gold and the tour
dates came rolling in. When
Cameo started rehearing for the tour Mike was still obligated to perform
with his group "The Exotics" for two more weeks at spring break in Panama
Beach, Fla. So for the remaining of his contract he would fly to Atlanta,
Ga. in the morning to rehearsal with
Cameo for the tour and fly back to Florida at night to perform with The
Exotics. In one day, Michael got married, performed his 1st major concert,
kissed his new bride and hit the road for a 6 months tour.
After the tour, he spent a couple of days relaxing with his family when the
call came to do a follow-up album. He left for New York to start recording
the next album title "She's Strange". On this project he was given a lot of
freedom with his bass pattern as evident on the title cut "She's Strange"
and more background vocal. This album also became a success so it was back
on the road.
With contract problems Mike didn’t participate on Cameo’s next album
"Style", and the album didn’t do as well. Realizing that you shouldn’t mess
with perfection, Mike was called back and out of the studio came "Single
Life". The album was an instance success.
One night he stopped in a local night club in Atlanta and on stage
performing was one of his friends from Macon, Kary Hubbert.
The next day Mike told Larry Blackmon what he had seen and asked that if
Larry did anything with the group to let him be a part of it. Larry did by
giving Mike a chance to produce his first major act, Cashflow. After that
project
Cameo started on what was to be Mike’s last album with the group "Word
Up". Mike bought in a long time friend and a form member of the Exotics,
Willie Morris to do some background
vocals. The album,
Cameo biggest seller to date, reached platinum and Mike left the group.
After a lengthy absent Mike was asked by Larry to perform once more with
Cameo on the Island of Bermuda for their yearly festival which he did
and received rave review for his performance. After seeing his performance,
the other artist and musician that were performing on the tour couldn’t
believe that he had not been on stage for over 10 years.
During his illustrious music career, Michael honors and awards are: Platinum
Album for Word Up. Gold Albums and Tapes for Alligator Woman, She’s Strange,
Single Life and Word Up. Gold Reel, Cheshire Sound Studio, Atlanta, Ga..
As a producer, songwriter, bass guitarist, and vocalist, he has preformed
and recorded with
Cameo, Cashflow, Sam & Dave,
The Reddings and Stevie
Wonder's former wife Syreeta Wright
to name a few. He also preformed on a Musical score, "Big Money" for the hit
movie "Disorderly" starring the Fat Boys
for PolyGram Records Company.
Mike continued to assist new artist in the entertainment business such as
Douglas Frazier choreographer, singer
Willie Morris and saxophone player
Melvin Wells. Mike was recently
employed by Jeff Floyd playing bass.
Mike's funeral service was held Friday Jan 12, 2007 at the Beulahland Bible
Church in his hometown Macon, Georgia.
The family asked that Friends send cards to:
Micheal Burnett.
804 Grayson Ave.
Macon, Georgia 31204.
U.S.A.
R.I.P.
Mike Burnett a.k.a. Michael Burnett
Born. March 19, 1956 - Macon, Georgia, U.S.A.
Died. January 4, 2007 - Macon, Georgia, U.S.A.
(Heart attack)
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Tenor Saxophonist
Michael Brecker dies after leukemia fight |
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(Jan. 2007) Michael Brecker, a versatile
and highly influential tenor saxophonist who won 11 Grammys over a
career that spanned more than three decades, whose work, as a studio and
backup musician and leader, appears on thousands of recordings, died
Saturday, January 13 at age 57. Brecker died in a hospital in New York
City of leukemia, according to his longtime friend and manager, Darryl
Pitt.
In recent years, the saxophonist had struggled with myelodysplastic
syndrome, a cancer in which the bone marrow stops producing enough
healthy blood cells. The disease, known as MDS, often progresses to
leukemia. |
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Throughout his career, Brecker recorded and performed with numerous jazz and
pop music leaders, including Herbie Hancock,
James Taylor, Paul Simon
and Joni Mitchell, according to his
Web site. His most recently released recording, Wide Angles, appeared on
many top jazz lists and won two Grammys in 2004. Mr. Brecker was regarded
among many musicians and critics as a virtuoso of technique and melodic
expression.
He
adapted easily among jazz musicians of wildly different styles - among them
Horace Silver, Charles Mingus,
Chet Baker, Pat Metheny,
and George Benson. Mr. Brecker also
backed performers as varied as Frank Sinatra,
Yoko Ono, James Brown,
Eric Clapton, Billy Joel,
and Joni Mitchell.
He
provided memorable saxophone licks to James Taylor's
"Don't Let Me Be Lonely Tonight," Bruce Springsteen's
"Tenth Avenue Freeze Out," and Paul Simon's
"Still Crazy After All These Years." Simon also admired Mr. Brecker's
experiments with the electronic wind instrument, a hybrid of sax and
synthesizer, in the late 1980s.
Mr.
Brecker made his solo debut, in 1986, with a self-titled album featuring
guitarist Metheny, keyboardist Kenny Kirkland,
bassist Charlie Haden, and drummer
Jack DeJohnette.
The
release, showcasing slower mood pieces and quicker musical flights, was
named Down Beat magazine's Jazz Album
of the Year and was nominated for a Grammy Award for best solo jazz
instrumental.
He
later won Grammys for such albums as "Don't Try This at Home" (1988) and
"Infinity" (1995), the latter of which featured pianist McCoy Tyner.
His last Grammy was for "Wide Angles" (2003), featuring a 15-piece orchestra
he called the Quindectet.
Michael Leonard Brecker was born March 29, 1949, in Philadelphia. His
father, a lawyer, played jazz piano between courtroom dates and in their
home kept a Hammond B3 organ that he eventually sold to future rock star
Todd Rundgren.
Mr.
Brecker, who played clarinet before switching to saxophone, said his musical
role models were Joe Henderson,
Cannonball Adderley, and John Coltrane.
He recalled a turning point in his style when he bought Coltrane's 1963
album "Live at Birdland."
At
19, he appeared on the album "Score" with his older brother, trumpeter
Randy Brecker. Afterward, Michael
Brecker left Indiana University to focus on a music career in New York.
He
was mentored by trombonist Barry Rogers,
who introduced him to Cajun, African, and Latin rhythms. Rogers played a
significant role in helping Mr. Brecker form his first group, Dreams,
a rock-jazz band whose lineup included Randy Brecker, drummer Billy
Cobham, guitarist John Abercrombie,
keyboardist Jeff Kent, and bassist
Doug Lubahn.
Michael and Randy Brecker also played in Silver's quintet
and Cobham's rock-jazz fusion band Spectrum
before they formed, in 1975, the Brecker Brothers
jazz fusion group. Brecker Brothers recorded with saxophonist David
Sanborn and other leading pop musicians.
From
1977 to 1987, the Breckers owned a New York club called Seventh Avenue
South, which became a laboratory for their music. The club was often called
the birthplace of vibraphonist Mike Mainieri's
jazz-rock band Steps Ahead, in which
Michael Brecker also played.
Mr.
Brecker also formed musical partnerships with pianist Herbie Hancock and
trumpeter Roy Hargrove, among others,
and toured prolifically until in May 2005 he received a diagnosis of
myelodysplastic syndrome, a blood and bone-marrow disease that ultimately
led to his leukemia.
His
illness silenced his music at times but raising awareness of bone marrow
drives gave him a new focus. "It's something that doesn't come naturally.
. . . I obviously miss playing and writing music," Mr. Brecker said in
2005. "On the other hand, this whole experience has allowed me to be a
conduit to attract attention for a cause that's much larger than me."
In
addition to his brother, Mr. Brecker leaves his wife, Susan; his children,
Jessica and Sam; and a sister, Emily Brecker Greenberg. A Public memorial
service will be announced at a later date.
R.I.P.
Michael Leonard Brecker a.k.a. Michael Brecker.
Born. March 29, 1949 -
Philadelphia, Pennsylvania,
U.S.A.
Died. January 13, 2007 -
New York City, U.S.A.
(Leukemia)
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Alice Coltrane
composer of Jazz has died |
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(Jan. 2007) Alice Coltrane, the jazz performer and
composer who was inextricably linked with the adventurous musical
improvisations of her late husband, legendary saxophonist John Coltrane,
has died. She was 69.
Coltrane died Friday, January 19th at West Hills Hospital and Medical
Center in West Hills, according to an announcement from the family's
publicist. She had been in frail health for some time and died of
respiratory failure.
Though known to many for her contributions to jazz and early New Age
music, Coltrane, a convert to Hinduism, was also a significant spiritual
leader and founded the Vedantic Center, a spiritual commune now
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located in Agoura Hills. A guru of growing
repute, she also served as the swami of the San Fernando Valley's first
Hindu temple, in Chatsworth.
For much of the last nearly 40 years, she was also the keeper of her
husband's musical legacy, managing his archive and estate. Her husband, one
of the pivotal figures in the history of jazz, died of liver disease July
17, 1967, at the age of 40.
A pianist and organist, Alice Coltrane was noted for her astral compositions
and for bringing the harp onto the jazz bandstand. Her last performances
came in the fall, when she participated in an abbreviated tour that included
stops in New York and San Francisco, playing with her saxophonist son, Ravi.
She was born Alice McLeod in Detroit
on Aug. 27, 1937, into a family with deep musical roots. Anna, her mother,
sang and played piano in the Baptist church choir. Alice's half brother
Ernie Farrow was a bassist who played professionally with groups led by
saxophonist Yusef Lateef and vibes
player Terry Gibbs.
Alice began her musical education at age 7, learning classical piano. Her
early musical career included performances in church groups as well as in
top-flight jazz ensembles led by Lateef, guitarist Kenny Burrell
and saxophonist Lucky Thompson. After
studying jazz piano briefly in Paris, she moved to New York and joined
Gibbs' quartet.
"As fascinating — and influential — as her later music was, it tended to
obscure the fact that she had started out as a solid, bebop-oriented
pianist, "critic Don Heckman told The Times on Saturday." I remember
hearing, and jamming with, her in the early '60s at photographer W. Eugene
Smith's loft in Manhattan. At that time she played with a brisk, rhythmic
style immediately reminiscent of Bud Powell.
"Like a few other people who'd
heard her either at the loft or during her early '60s gigs with Terry Gibbs,
I kept hoping she'd take at least one more foray into the bebop style she
played so well," he said.
She met her future husband in 1963 while playing an engagement with Gibbs'
group at Birdland in New York City. "He saw something in her that was
beautiful," Gibbs, who has often taken credit for introducing the two,
told The Times on Saturday. "They were both very shy in a way. It was
beautiful to see them fall in love." Gibbs called her "the nicest
person I ever worked with. She was a real lady."
She left Gibbs' band to marry Coltrane and began performing with his band in
the mid-1960s, replacing pianist McCoy Tyner. She developed a style noted
for its power and freedom and played tour dates with Coltrane's group in San
Francisco, New York and Tokyo. She would say her husband's musical impact
was enormous.
"John showed me how to play fully," she told interviewer Pauline Rivelli and
Robert Levin in comments published in "The Black Giants." "In other words,
he'd teach me not to stay in one spot and play in one chord pattern. 'Branch
out, open up … play your instrument entirely.' … John not only taught me how
to explore, but to play thoroughly and completely."
After his death, she devoted herself to raising their children. Musically,
she continued to play within his creative vision, surrounding herself with
such like-minded performers as saxophonists Pharoah Sanders
and Joe Henderson.
Early albums under her name, including "A Monastic Trio," and "Ptah the El
Daoud," were greeted with critical praise for her compositions and playing.
"Ptah the El Daoud" featured her sweeping harp flourishes, a sound not
commonly heard in jazz recordings. Her last recording, "Translinear Light,"
came in 2004. It was her first jazz album in 26 years.
Through the 1970s, she continued to explore Eastern religions, traveling to
India to study with Swami Satchidananda, the founder of the Integral Yoga
Institute.
Upon her return she started a store-front ashram in San Francisco but soon
moved it to Woodland Hills in 1975. Located in the Santa Monica Mountains
since the early 1980s, the ashram is a 48-acre compound where devotees
concentrate on prayer and meditation.
Known within her religious community by her Sanskrit name,
Turiyasangitananda, Coltrane focused for much of the last 25 years on
composing and recording devotional music such as Hindu chants, hymns and
melodies for meditation. She also wrote books, including "Monumental
Ethernal," a kind of spiritual biography, and "Endless Wisdom," which she
once told a Times reporter contained hundreds of scriptures divinely
revealed to her.
In 2001 she helped found the John Coltrane Foundation to encourage jazz
performances and award scholarships to young musicians.
In addition to Ravi, she is survived by another son, Oren, who plays guitar
and alto sax; a daughter, Michelle, who is a singer; and five grandchildren.
Her son John Coltrane Jr. died in an automobile accident in 1982.
In lieu of flowers, the Coltrane family asks that you please send donations
to the following charities: The John Coltrane Foundation. 21777 Ventura
Blvd. Suite 253, Woodland Hills, CA 91367. USA.
www.johncoltrane.com
R.I.P.
Alice Lucille McLeod a.k.a. Alice Coltrane
Born. August 27, 1937 -
Detroit, Michigan, U.S.A.
Died. January 19, 2007 -
West Hills, Los Angeles
County, California, U.S.A.
(Respiratory failure)
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Brenda Vaughn a
'Living Legend' !! |
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(Jan. 2007) The BMA (Black Music
Association Academy of America) will recognize and honor
singer/songwriter
Brenda Vaughn with a nomination as a "LIVING LEGEND." The Black
Music Association Academy of America was established in 1998 to preserve
and promote the influences and personalities of Black Music.
The award presentation will be held on Sunday April 15, 2007 during the
Bay Area Black Music Awards at the Scottish Rite Temple in downtown
Oakland. The VIP/Celebrity "Walk The Carpet" Ceremony will begin at 4:00
pm. with the Awards Show beginning at 5:00 pm.
Over the past years BMA's Living Legends have included such great
leaders as; Patrice Rushen,
Greg Phillinganes, George Clinton,
The Temptations, WAR,
The Phoenix Horns, Maurice
and Verdine White, to name a few.
Unformiliar with Brenda Vaughn's work? Check the compilation CD
Soul Exposed out now on
Expansion Records Congratulations
Brenda!! |
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January's 411 in
short! |
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•
Essence Music Festival is returning to New
Orleans July 5th-7th. This year’s lineup includes Beyonce,
Mary J. Blige and Lionel Richie
to name a few.
•
Congrats to
Tina Campbell of
the group Mary Mary. Tina and her husband,
Teddy, are expecting baby number two this summer. They also have a three-year
old daughter.
•
In other baby news, Singer Faith
Evans has been put on bed rest. She is expecting
her fourth child. •
Expect a full new album from the
Lab Addicts. Inspired by their visit to the UK
last year, they have been working hard on their follow-on Essential Ellements of
Soul. Look out for it on
Soulchoonz Records soon.
•
The True Story of
Florence Ballard is a new book coming out this
spring. Ballard was fired from The Supremes,
and she died broke at the age of 32. The book will reveal how Diana Ross
was always the main vocalists because Ballard’s sound wasn’t commercial. The
book also brings up a rape at the age of 17, and notes her drinking problem may
be linked to alcoholism in her family.
•
The Queen of Soul
Aretha Franklin wants to resume her acting
career. Years ago, she was featured in The Blues Brothers
movie, but now The Queen wants more. She’s reaching out to Denzel
Washington to help her. In other Queen of Soul
news, Aretha has a new album coming out this year (see our
new releases link.) Later
this month, she’s going to be honored during the UNCF Evening of Stars telethon. •
My Brother Marvin is the life story of
Marvin Gaye. The stage musical was written by
Marvin’s sister, Zeola Gaye. My Brother
Marvin will be at the Merriam Theatre, February 14th-18th. The musical stars
Keith Washington, Clifton Powell,
Marvin’s daughter Nona Gaye, Tony
Grant and John Canada Terrell. •
More 411's to come... |
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Sheila E. and Candy
Dulfer team up for European Tour |
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(Jan. 2007) Candy Dulfer and Sheila E.
have teamed for a series of European concerts as part of the all-female
supergroup C.O.E.D. (Chronicles Of Every Diva). The group features
Sheila E. (drums/vocals), Cassandra O’Neal (keys/vocals), Rhonda Smith
(bass/vocals), Kat Dyson (guitar/vocals), and Candy Dulfer (sax).
The group will perform shows in Switzerland, Germany, Bulgaria, and
France. On March 12 they will perform at the
Paradiso in
Amsterdam (Netherlands). Separately, Candy Dulfer and her own band
will also be performing an addional |
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show during their upcoming USA tour this
March and April. They will be performing at the Jazztrax Festival in Indian
Wells, California in April 1. Tour dates and further info on
Sheila E's
official website. |
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Toni +
Braxton - Barry x Hankerson = $10 Million !! |
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(Jan. 2007) Singer Toni Braxton is suing her
former manager, Barry Hankerson for $10 million. Braxton claims Hankerson put
his financial interests ahead of hers and cost her millions of dollars.
Hankerson tricked Braxton into leaving her longtime record home Arista Records
to join his label, Blackground Records. After poor sales of subsequent albums,
she was dumped from the label. Braxton is currently doing a one woman show in
Las Vegas, but she feels Hankerson ruined her career.
Hankerson has quite a history. He used to be married to Gladys Knight, and he
almost forced her into bankruptcy. His niece was the late Singer Aaliyah.
Sources say it was his tips that led police to investigate R Kelly
on child pornography charges. He never forgave Kelly for marrying his niece when
she was 14. |
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New Rick James
single and album due! |
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(Jan. 2007) When funk pioneer
Rick James died, in August of 2004, he had already begun working on
new material for a brand-new album. The album With the details of his
estate finally settled, the brand new Rick James single "Deeper Still"
will go to urban AC radio (US) and
Starpoint Radio (UK) this month.
On Wednesday (January 17th), James' longtime business manager Ron Kramer
announced a number of
Rick James projects for 2007, beginning with the new single.
Co-written with longtime collaborator and saxophonist Danny
LeMelle, "Deeper Still" is the lead-off
on a forthcoming album of all-new material. The untitled project
(previously titled "Rick James Forever") is due this spring on Stone
City Records.
To coincide with the CD release, Amber Communications will publish
Memoirs Of A Superfreak on April 15th. The autobiography was penned by
the outrageous performer |
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while serving two years at California's Folsom
Prison from 1993 to 1995. The book will be adapted into a film. At his last
public appearance before his death, at the 2004 ASCAP Rhythm & Black Music
Awards, James talked about the future of funk: "It's a really sad thing, but
music as music - actuality, music is dead. It's gone. I mean, there'll be no
other, no Earth Wind & Fires, there'll be no Temptations, there'll be no more
Stevie Wonders. There'll be no more Billie Holidays, there'll be no more
Commodores, you know. There'll be no more Sly & the Family Stone, there'll be no
more Parliament-Funkadelic, there'll be no more Rick James." |
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Crawford & Sample
back with new CD 30 yrs. after 'Street Life' |
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(Jan. 2007) On Tuesday, February 20,
2007 PRA Records will release Feeling Good, a new album from
Randy Crawford and Joe Sample.
This Tommy LiPuma-produced CD
marks a return collaboration between vocalist Crawford and pianist
Sample who first worked together more than 30 years ago. To celebrate
this special reunion, the album's upbeat |
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title track and lead single received a
literal around-the-world launch in December of 2006, as the song accompanied
NASA astronauts on the Space Shuttle STS 116. Astronaut Joan Higginbotham took
the song Feeling Good with her on the shuttle, which launched from Kennedy Space
Center, and the song was selected by NASA as one of the official songs used by
Mission Control to wake the astronauts for their daily chores during the 12-day
mission.
From the first downbeat of Feeling Good through the last note of Mr. Ugly, the
listener is drawn into the warm embrace of Joe and Randy's musical heritage, a
mixture of soul, jazz, gospel, pop, and a touch of the blues. One of the premier
songstresses in contemporary music, Crawford showcases her versatile vocal
instrument on songs such as All Night Long, End of the Line, and the moving
ballad Save Your Love for Me.
The lasting mastery of Sample's piano playing skill is evident through each of
the album's 13 songs. From their interpretation of Peter Gabriel's
Lovetown to the Latin-flavored Rio De Janeiro Blue, to a modernly funky but also
softened reading of See Line Woman, Sample's work on the keys surrounds,
highlights, and compliments Crawford's voice exquisitely. Some of the other
covers chosen for this album include a seductive take on Billie Holiday's
Tell Me More and More and Then Some, a breezy run through Everybody's Talking,
the tune made famous by Harry Nilsson and
the film Midnight Cowboy, and a heartfelt version of When I Need You, written by
Albert Hammond and Carol Bayer Sager. A special sentimental choice is Last Night
at Danceland, a song written by Sample and originally recorded by Crawford in
1980.
The keen interaction between Sample and Crawford throughout the album is a clear
testimony to a musical friendship that began three decades ago, when Joe played
on Randy's debut CD, Everything Must Change. Soon after, when writing songs for
his influential band The Crusaders, Sample
invited Crawford to be a guest on their record and wrote the song Street Life
especially for her. Of course, that tune went on to become an international hit,
and the two collaborated on and off for years afterwards. With both artists
having worked previously with GRAMMY(R)-winning producer Tommy LiPuma, the three
coming together to record Feeling Good was a natural fit. Also joining the team
was multiple GRAMMY(R)-winning engineer Al Schmitt,
whose inimitable touch gives the album its flawless, crystal clear sound, along
with Steve Gadd on drums and
Christian McBride on bass. The CD from Randy
Crawford and Joe Sample - Feeling Good will be available on February 20, 2007. |
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